Tracklist: Like what you hear? Let us know by LEAVING A COMMENT! Note: The “Play this track” cues below may be off by several seconds on mobile devices. BLOOD, SWEAT AND TEARS: “Smiling Phases” This is one of my favorite tracks from one of my favorite jazz rock albums. I rank the first two BST […]
In the world of Jeff Beck fans, Truth and Blow by Blow are the universal keystones. To a much smaller cadre of fans, Rough and Ready completes the pyramid
Tracklist: Like what you hear? Let us know by LEAVING A COMMENT! Note: The “Play this track” cues below may be off by several seconds on mobile devices. John Stix’s Song Notes: JAMES TAYLOR: “Go Tell It on the Mountain” JT has done a good amount of Christmas music. Much of it is too slick […]
Tracklist: Like what you hear? Let us know by LEAVING A COMMENT! Note: The “Play this track” cues below may be off by several seconds on mobile devices. Song Notes: JONI MITCHELL & TOM SCOTT AND THE L.A. EXPRESS: “Big Yellow Taxi” Tom Scott and the L.A. Express were Joni Mitchell’s touring band in 1974 […]
SEATRAIN: “I’m Willing” Back in the early 1970s, Singer Sewing Centers sponsored live radio broadcasts. They did this because they wanted you to know they had large record departments in their retail sewing centers. One of these broadcasts, which I still have on cassette tape, was by the group Seatrain. I was sold by that radio concert.
FLEETWOOD MAC: “Second Hand News” What a great album opener. Rumours was *the big one* for Fleetwood Mac and it’s fitting they led it off with this amazing Lindsey Buckingham song. Deceptively bouncy and even fun, performance-wise, its stealth personal lyrics foreshadowed Buckingham’s increasing position in the Mac and subsequent reputation as a musical eccentric to be reckoned with.
BRUCE SPRINGSTEEN & THE E STREET BAND: “10th Avenue Freeze-Out (Ballad Version)” Bruce Springsteen has always been at ease changing up the recorded version of a song for the stage. It’s a Dylanesque trait that has served him well. I spent months searching for his live ballad version of “For You.” And man is that good. But this masterful remake of “Tenth Avenue Freeze-Out” is hands-down my favorite Springsteen track that has yet to be officially released. The original is a great “strut rocking song.” This ballad spotlights the power of the lyric, the image of the night. It’s absolutely cinematic. —John Stix
STEELY DAN: “Instrumental Overture” 1993 was the year Steely Dan became a touring band after a 20-year layoff. When they recorded their first album, Can’t Buy a Thrill, in 1972, leaders Donald Fagen and Walter Becker were surprised when their record company asked them to tour to support it. They were songwriters, not performers, and Fagen certainly didn’t see himself as a front man. The road provided no second takes, shoddy sound reinforcement and no particular allure for the band. But 1993 introduced a great band with a great sound able to project their great songs. Like the old Motown reviews, the backing band would come out and play ahead of the duo’s arrival on stage. All the nuance, dynamics, and deep colors of each song were performed flawlessly. This version of “Bad Sneakers” was not officially released and its inclusion would have enhanced the Dan’s surprisingly unimpressive Alive in America live album released in 1995. —John Stix
THE BEATLES: “Christmas Time (Is Here Again)” This is the complete take, an edited version of which appeared on the 1967 edition of The Beatles’ Fan Club’s annual Christmas Flexi Disc sent to Fan Club members, gratis, every year. The track’s off-the-wall Christmas-themed lyrics and classic 1967-vintage Beatles sound are in full flower here. Then there’s John Lennon’s inspired “Krimble” finale, which makes this one golden. This complete take of “Christmas Time (Is Here Again)” appeared as the b-side to the “Real Love” single from February 1986.
CLASSICAL INTRO > Pete Townshend: “A Little Is Enough” Ahh, the days of making mixed tapes with my old Nakamichi 500 cassette deck. I was always playing around, looking to concoct some fun segue. In this case I randomly taped a classical station on the radio and thought it would work nicely mashed up with Pete Townshend’s “A Little Is Enough.” I was totally enamored with Pete’s 1980 solo record, Empty Glass. For my taste it was one of the two best records of the year. It had killer songs and I love Pete as a vocalist because his voice isn’t that of a classic “lead singer.” Like Joe Walsh — another favorite singer of mine — Pete has to work at his vocals and own them. I guess it’s his authenticity that attracts me. —John Stix